Since he's a photographer and not a retoucher, he tends to go for the quick and dirty solutions that should work 95% of the time. This is like a cookbook of lots of techniques Kelby uses to touch up and tweak his portraits. It will radically change the way you retouch your portraits from here on out, and give you the best-looking, most natural retouches you've ever done. If you're ready to learn the "tricks of the trade"-the same ones that today's leading pro photographers use to retouch, tuck, tighten, and tone their images for that pro-retouched look-you're holding the book that will do exactly that. Plus, you get Scott's complete 5-minute, 15-minute, and 30-minute start-to-finish workflows How to give your retouches that natural look that sets them apart How to make your subject's hair look fabulous How to remove blemishes fast and keep the most detail How to selectively sharpen portraits without complicated masking The best tricks for beautifully enhancing eyes, eyebrows, and eyelashes How to soften skin and still retain detail and texture Using the techniques in this book, you'll create images that will absolutely wow your clients. It's all here-the step-by-step methods for fixing, enhancing, and finishing your portraits in Photoshop. That's why Scott put together this amazing resource for teaching photographers the quickest, easiest, and most effective ways to create professional-looking, retouched final images without spending hours grinding away at painstaking, detailed techniques. But, delivering fully retouched images is now expected by clients. Now you can learn the same techniques he uses in his own retouching workflow, in the only book of its kind-one written expressly for photographers who do their own retouching.Īs a pro photographer himself, Scott understands that photographers make their living shooting, not retouching. Just let them enjoy how good they look.Each year, Scott Kelby, Editor-in-Chief of "Photoshop User" magazine and the #1 best-selling Photoshop author, trains literally thousands of photographers on how to retouch portraits using Photoshop through his live seminars, online classes, DVDs, and standing-room only workshops at the Photoshop World Conference & Expo. When you share the picture with the subject, there’s no need to discuss the adjustments you make. You can see how far you’ve come by pressing the M key to show you the original image before retouching. Sit back and admireĪt this point, your portrait should be looking pretty good. The original portrait is on the left, with the retouched photo on the right. If the effect is too strong, or not apparent enough, adjust the Intensity slider in the Skin Smoothing brick in the Adjustments tab. Now all you have to do is “paint away” those fine lines by clicking and dragging the mouse pointer on the areas that require work. In the floating palette, set your Brush Size and Softness to a diameter that allows you to work in tight areas, then move the marker on the Strength slider all the way to the right. As with other adjustments, you can always fine tune these later. In the brick, set the markers for the Radius, Detail, and Intensity sliders to the midpoint. Aperture will add a Skin Smoothing brick to the Adjustments tab of the Inspector, and display a floating palette. This time, choose Skin Smoothing from the popup menu. Go back to the brush icon at the bottom of the interface. But generally speaking, this step is reserved for fine lines on the forehead and wrinkles around the eyes. You could, if you wanted, apply skin smoothing to the entire portrait. Click on the blemish, and Aperture will remove it. Set your brush radius and softness, then move the Opacity marker all the way to the right. Choose the Repair option from the floating palette. Click on the brush and choose Retouch from the popup menu. Start by enabling the Retouch brush located at the bottom of the interface next to the red eye icon. You can put their mind to ease by assuring them that you can quickly remove that blemish later on your Mac. For a photo subject, there’s nothing worse than having a pimple suddenly appear on the day of the photo shoot.
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